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"The Photoshop CS Book for Digital Photographers" by Scott Kelby

Review by Lauren Bavin and Meryl Bartho

If you are familiar with Scott Kelbys writing style you will already be aware that his books do not read like your average technical manual.

He writes as if he is sitting across the table from you having a coffee and discussing his latest discovery about his closest friend, and I must say that Photoshop must be his dear friend as he has such insight into this programme.

For those not familar with his style - you have been missing out. Far from dry and full of facts and instructions, Scott Kelby imparts his knowledge in such a way that you are constantly having those "aha" moments as you browse through the chapters.

In fact within the first few pages I had one of those aha moments as he discusses saving your digital negatives in a way that was eminantly sensible but that I'd never thought of before.

Chapters One and Two are entirely devoted to the file browser – this I must confess is a part of Photoshop which, up till now, I have just ignored, since reading these chapters I’m navigating folders, adding keywords, ranking and flagging – all like a pro! I have several other programs to manage graphics on my hard drive which I feel now are obsolete – did you know that Photoshop’s File Browser is all by itself more powerful than many stand-alone products? As Scrapbookers, just think of the reward of after a few hours work being able to easily find long lost photos and elusive elements!

In Chapter Three we move on the Cropping and Resizing – as he says this does not sound exciting but sadly, we spend a great deal of time doing just that. Many’s the time I’ve seen questions in the scrapbook site forums asking about sizes, my feeling is that all your questions would be answered within this chapter, along with clever tricks like how to straighten crooked photos, how to use the crop tool to add more canvas area, how to reach the transform handles when you have dropped a too-large photo onto your layout, sizing photos up and down correctly.

One part of these chapter was worth the cost of the book alone to me. Scott Kelby describes the automated cropping and straightening tool which I had never discovered. He describes how Photoshop CS will automatically crop and straighten a scan of multiple photographs. Think of the time saved using this technique!!!

How many of us have not, when viewing our photographic efforts, found ourselves wishing that we’d turned off the flash, or turned it on to fill in the flash? These and many other photo flaws (wonderful info on red-eye removal!) Kelby shows, step-by-step how to correct in Chapter Four. Also included in this chapter is very valuable information for digi scrappers on dodging and burning, as he says “done right”.

Also covered in these chapters are vital techniques for reducing digital noise and fixing under exposed photos ( a great solution which I have used many times since reading the book)

Colour correction is dealt with in great detail in Chapter Five. In the past I have waded through tut after tut trying to unravel the mysteries of scary things like curves and levels – his detailed, but to the point instructions make it a cinch. If you are about to embark on a photo shoot, his black / white / grey card, included in the book is an absolute must have! Its something I had never thought of but is perfect if you are one who likes to do the "home photoshoots" like I do Levels and Curves are just so easy if you can establish a white, grey & black point in a photo – at the start of the shoot you get your subject to hold this card for one test shot, after this each photo (which is taken in those lighting conditions) can quickly and easily be adjusted using his technique.

He also discusses the colour space used in Photoshop which is likely to be the number one most important change to make for digital photographers.

The very first thing I ever wanted to do was to extract things from backgrounds – I just wish I’d been able to read Chapter Four before doing so! Go through the stages of using the extract filter with Kelby and soon you will have every whisker of hair preserved – he has such clever tips and techniques to help you through this often requested task. Scared of the incredibly useful pen tool? I was a little intimidated by this vector tool until I read the chapter on the use of this very powerful tool.Like everything else Scott Kelby writes about the he explains it just makes it sound so easy.

Chapters 7 and 8 deal in depth with retouching digital photographs . Scott Kelby delves in depth into digital plastic surgery in order to make the subjects of our photographs appear at their best. In these chapters he teaches the use of the healing tool, a tool which is much used by digital scrapbookers in photograph repairing.

He also discusses techniques for softening and applying the popular "dreamy" effect to your portraits.

One of my favourite chapters is the chapter on photographic special effects. In this chapter Scott describes how to apply 38 different special effects to your photos.

Some of PSCS’s great new features are also explained - photo filters, creating depth of field, stitching panoramas together – and good advice on how to take a good panorama in the first place – if you set it up right, Photoshop will do the rest for you.

Simple but effective effects such as a blurred lighting vignette is described so simply you will wonder why you didnt think of this method yourself!!!!

He also covers very useful techniques for digital scrapbookers such as replacing skies, adding motion effects, and collage with layer masking ( very useful for the more graphic style digital scrapbooker)

Black and white and sepia photos and beautiful used with full colour ones on a scrapbook page – if you are less than satisfied with the results you have been getting Chapter Ten is for you. Who would have though that there could be so many ways to turn a colour photo black and white? – beautiful, different effects can be achieved using his different techniques. In fact even if you are satisfied with the results try out a few of these techniques – maybe you will be surprised at just how much better they can be!

Perhaps one of the most important lessons I learned was in the chapter on sharpening - Scott Kelby gives us precise instructions on the optimal settings for sharpening those soft digital photographs.Digital i scrappers will also enjoy his tips on web sharpening – you have put a great deal of work into your layout – make the web copy the best it can be!

The final chapter deals with showing your photographic work to your client. Most of us don’t have clients but still there is a lot of interesting information in this chapter - for example, the creation of a copyright brush, creating watermarks, adding copyright info, creating picture package layouts.

The photographs used in this book are beautiful, many of them contributed by top photographers. All of them are in colour, which for a book on Photoshop make great sense, but yet so few are. Project images in the book are downloadable, so you can work along.

The book is one that you can put down and pick up when you have a few moments free or like me read it from cover to cover!!!- It is a very well thumbed bible for me already and absolutely well worth the cover price.

I can only but thoroughly recommend this book to you. I only wish I’d had it when I first started taking my first trembling steps with Photoshop, it would certainly have saved me a great deal of trouble and frustration!

© 2005 Lauren Bavin & Meryl Bartho


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